[
English ]
If you consider using this system you need to have a vast amount of cash and amazing fortitude to go away when you generate a small success. For the purposes of this essay, a figurative buy in of two thousand dollars is used.
The Horn Bet numbers are certainly not deemed the "winning way to play" and the horn bet itself carries a house advantage of over twelve percent.
All you are gambling is $5 on the pass line and ONE number from the horn. It doesn’t matter if it is a "craps" or "yo" as long as you wager it always. The Yo is more prominent with people using this approach for clear reasons.
Buy in for $2,000 when you sit down at the table but put only five dollars on the passline and $1 on one of the two, 3, 11, or twelve. If it wins, excellent, if it does not win press to two dollars. If it does not win again, press to four dollars and continue on to $8, then to sixteen dollars and following that add a one dollar each subsequent bet. Each time you do not win, bet the previous wager plus another dollar.
Employing this system, if for example after 15 tosses, the number you bet on (11) hasn’t been tosses, you probably should go away. However, this is what might develop.
On the tenth toss, you have a sum of $126 in the game and the YO finally hits, you win three hundred and fifteen dollars with a profit of $189. Now is a good time to walk away as it’s higher than what you joined the table with.
If the YO does not hit until the twentieth roll, you will have a complete bet of $391 and because your current action is at $31, you gain $465 with your gain being $74.
As you can see, adopting this system with just a one dollar "press," your profit margin becomes smaller the more you wager on without hitting. This is why you must step away once you have won or you have to wager a "full press" once again and then continue on with the $1.00 boost with each hand.
Carefully go over the numbers before you attempt this so you are very familiar at when this approach becomes a non-winning affair rather than a winning one.